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POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

 

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POUSSIN, Nicolas The Triumph of Neptune (detail) af oil painting

Painting ID::  8631

X 
 

POUSSIN, Nicolas
The Triumph of Neptune (detail) af
1634 Oil on canvas Philadelphia Museum of Art, Philadelphia
   
   
     

 

 

POUSSIN, Nicolas The Triumph of Neptune (detail) af oil painting

Painting ID::  8632

X 
 

POUSSIN, Nicolas
The Triumph of Neptune (detail) af
1634 Oil on canvas Philadelphia Museum of Art, Philadelphia
   
   
     

 

 

POUSSIN, Nicolas The Triumph of Neptune (detail)  DF oil painting

Painting ID::  8633

X 
 

POUSSIN, Nicolas
The Triumph of Neptune (detail) DF
1634 Oil on canvas Philadelphia Museum of Art, Philadelphia
   
   
     

 

 

POUSSIN, Nicolas The Adoration of the Golden Calf g oil painting

Painting ID::  8634

X 
 

POUSSIN, Nicolas
The Adoration of the Golden Calf g
c. 1634 Oil on canvas, Iaid down on board, 154 x 214 cm National Gallery, London
   
   
     

 

 

POUSSIN, Nicolas Helios and Phaeton with Saturn and the Four Seasons sf oil painting

Painting ID::  8635

X 
 

POUSSIN, Nicolas
Helios and Phaeton with Saturn and the Four Seasons sf
c. 1635 Oil on canvas, 122 x 153 cm Staatliche Museen, Berlin
   
   
     

 

 

POUSSIN, Nicolas The Rape of the Sabine Women sg oil painting

Painting ID::  8636

X 
 

POUSSIN, Nicolas
The Rape of the Sabine Women sg
1634-35 Oil on canvas, 154,6 x 209,9 cm Metropolitan Museum of Art, New York
   
   
     

 

 

POUSSIN, Nicolas The Rape of the Sabine Women af oil painting

Painting ID::  8637

X 
 

POUSSIN, Nicolas
The Rape of the Sabine Women af
1637-38 Oil on canvas, 159 x 206 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas The Triumph of Pan sg oil painting

Painting ID::  8638

X 
 

POUSSIN, Nicolas
The Triumph of Pan sg
1636 Oil on canvas, 134 x 145 cm National Gallery, London
   
   
     

 

 

POUSSIN, Nicolas The Nurture of Jupiter sh oil painting

Painting ID::  8639

X 
 

POUSSIN, Nicolas
The Nurture of Jupiter sh
1635-37 Oil on canvas, 95 x 118 cm Dulwich Picture Gallery, London
   
   
     

 

 

POUSSIN, Nicolas The Destruction of the Temple at Jerusalem afg oil painting

Painting ID::  8640

X 
 

POUSSIN, Nicolas
The Destruction of the Temple at Jerusalem afg
1637 Oil on canvas, 147 x 198,5 cm Kunsthistorisches Museum, Vienna
   
   
     

 

 

POUSSIN, Nicolas Pan and Syrinx fh oil painting

Painting ID::  8641

X 
 

POUSSIN, Nicolas
Pan and Syrinx fh
1637-38 Oil on canvas, 106 x 82 cm Gemäldegalerie, Dresden
   
   
     

 

 

POUSSIN, Nicolas Dance to the Music of Time asfg oil painting

Painting ID::  8642

X 
 

POUSSIN, Nicolas
Dance to the Music of Time asfg
c. 1638 Oil on canvas, 82,5 x 104 cm Wallace Collection, London
   
   
     

 

 

POUSSIN, Nicolas Et in Arcadia Ego af oil painting

Painting ID::  8643

X 
 

POUSSIN, Nicolas
Et in Arcadia Ego af
1637-39 Oil on canvas, 185 x 121 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas Apollo and the Muses (Parnassus) af oil painting

Painting ID::  8644

X 
 

POUSSIN, Nicolas
Apollo and the Muses (Parnassus) af
1630s Oil on canvas, 125 x 197 cm Museo del Prado, Madrid
   
   
     

 

 

POUSSIN, Nicolas Venus Presenting Arms to Aeneas f oil painting

Painting ID::  8645

X 
 

POUSSIN, Nicolas
Venus Presenting Arms to Aeneas f
1639 Oil on canvas, 105 x 142 cm Mus??e des Beaux-Arts, Rouen
   
   
     

 

 

POUSSIN, Nicolas Venus Presenting Arms to Aeneas (detail) af oil painting

Painting ID::  8646

X 
 

POUSSIN, Nicolas
Venus Presenting Arms to Aeneas (detail) af
1639 Oil on canvas Mus??e des Beaux-Arts, Rouen
   
   
     

 

 

POUSSIN, Nicolas The Institution of the Eucharist af oil painting

Painting ID::  8647

X 
 

POUSSIN, Nicolas
The Institution of the Eucharist af
1640 Oil on canvas, 325 x 250 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas The Sacrament of Baptism af oil painting

Painting ID::  8648

X 
 

POUSSIN, Nicolas
The Sacrament of Baptism af
1642 Oil on canvas, 95,3 x 121,6 cm National Gallery of Art, Washington
   
   
     

 

 

POUSSIN, Nicolas Landscape with St Matthew and the Angel sg oil painting

Painting ID::  8649

X 
 

POUSSIN, Nicolas
Landscape with St Matthew and the Angel sg
c. 1645 Oil on canvas, 99 x 135 cm Staatliche Museen, Berlin
   
   
     

 

 

POUSSIN, Nicolas Ideal Landscape ag oil painting

Painting ID::  8650

X 
 

POUSSIN, Nicolas
Ideal Landscape ag
1645-50 Oil on canvas, 120 x 187 cm Museo del Prado, Madrid
   
   
     

 

       Prev    1  2  3  4     Next

 

POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,